SUM Keramik: Shaping the possibilities of clay

By Heidi Kokborg | Photos: SUM Keramik

Curiosity, form and a deep respect for craftsmanship shape the work of ceramic artist Susanne Moeskjær. Through SUM Keramik, she creates one-of-a-kind sculptures that explore the possibilities of clay. Inspired by everything from stones and natural materials to bones and machine parts, her forms leave space for imagination and individual interpretation.

Moeskjær has worked with ceramics since her teens and graduated from Kolding School of Design in 1997. The Danish ceramicist primarily creates unique pieces rather than repeating the same forms. Curiosity about a particular technique or idea develops into a small series, allowing her to explore it from different angles before moving on.

Her works are hand-built, with form always taking the lead. Glaze complements the work rather than defining it, creating a balance between form and decoration. “For me, it’s the form itself that gives the highlight,” says Moeskjær.

Ideas can emerge from almost anywhere. Moeskjær has explored the patterns and surfaces of stones, but is equally intrigued by bones or machine parts. “I like trying the impossible and stretching the material to see what it can actually do,” she explains.

SUM Keramik: Shaping the possibilities of clay

Organic forms meet stringent lines that cut through the works, creating contrast and inviting different interpretations. Moeskjær is fascinated by clay itself: soft and pliable before becoming fragile as it dries, then hard and enduring through firing. Humans have worked with it for millennia, yet its possibilities continue to fascinate her.

SUM Keramik: Shaping the possibilities of clay

Her process requires a sense of calm, time and immersion. Moeskjær turns and examines each sculpture until the forms work together and feel resolved from every angle. “When I get the feeling that the sculpture is finally there, it gives a little high,” explains Moeskjær.

Photo: Per Bille

Moeskjær works from a historic five-storey townhouse from 1910 in Ry, Denmark, with her workshop in the basement and a gallery at street level. The gallery brings together works from different exhibitions and projects, revealing the recurring thread in her practice. Increasingly, she is also creating larger works assembled from individual ceramic components for walls. “I hope that my pieces will stay with people for many years and continue to bring them joy. You can return to a sculpture again and again and discover something new in it over time,” Moeskjær says.

This autumn, her work can be experienced at OMVENDT, Hinnerup Library, from 31 October to 16 November, Kunst og Kirker in Slagelse 7–8 November, and ProKK’s SØNDERJYSK KAFFEBORD at Haderslev Kunstforening 7–13 November 2026.

SUM Keramik: Shaping the possibilities of clay