The Arctic Philharmonic: Arctic identity and international horizons –meet the world’s most northern orchestra
By Signe Hansen
Arctic Philharmonic on Svalbard. The orchestra has visited Svalbard on several occasions and is one of the initiators of the Arctic Chamber Music Festival, held annually in Longyearbyen each February. Photo: Yngve Olsen.
Stretching across the two largest cities of Norway’s northernmost region, the Arctic Philharmonic is a rare constellation in the orchestral world: one ensemble, rooted in Bodø and Tromsø, shaped by high ambitions, Nordic heritage and an outward-looking artistic identity. Its mission is firmly northern, yet its musical language reflects the world. From major symphonic productions to intimate chamber performances, the orchestra offers a cultural presence as expansive as the landscape it inhabits.
Founded in 2009, the story of the Arctic Philharmonic began with a bold ambition: to build a professional ensemble north of the Arctic Circle that could serve an entire region while standing confidently on the international stage. Structured as a sinfonietta in Bodø and a chamber orchestra in Tromsø, the orchestra join forces 8–10 times a year as a full symphony orchestra. “The most important thing for us is to be able to meet regularly to create large symphonic productions in both cities,” explains director Trud Berg.
This dual structure is a defining characteristic of the orchestra, enabling a remarkable flexibility of expression. Another lies in its commitment to Nordic identity – not as something fixed, but as something to be explored and renewed. The upcoming Nordic Elegance concert (12-13 March) is a clear example, highlighting lesser-known Nordic composers and artists. “All orchestras can play the major international repertoire; we do that too,” says Berg. “But we also feel responsible for lifting Nordic works and showing what is distinctive here.” This responsibility also encompasses a strong commitment to promoting and presenting Sami and Kven culture and music.
“Sápmi is a part of who we are, and we want to make sure both Sami and Kven culture is a part of the future of our art form,” says Berg.

From the performance Rækvved. A collaboration between the dance company Kartellet and Arctic Philharmonic’s chamber orchestra, where northern Norwegian folk music, dance, and play merge into a new artistic expression. Photo: Vidar Thorbjørnsen.
Alongside their strong sense of home, the Arctic Philharmonic also has an international outlook. In April, The New World concert will bring the orchestra together with international star soloist Leia Zhu and conductor Samuel Lee, illustrating how the Arctic Philharmonic places its northern roots in conversation with a broader global context. “We belong to the Nordic world, but we mirror ourselves in the whole world,” stresses Berg.
Equally central is the orchestra’s extensive work with children and young people, who make up around a third of its annual activity, including concerts in schools and kindergartens. They also strive to bring their music to communities throughout Northern Norway, as well as touring nationally and internationally. “We must offer culture to large and small places,” Berg stresses. “It is a fantastic opportunity to bring life into communities and create joy.”
One such place is Longyearbyen, Svalbard. Each February, the Arctic Philharmonic take part in the Arctic Chamber Music Festival on Svalbard, which the orchestra co-founded in 2018. The festival is the northernmost chamber music festival, where Nordic identity, new music and international artistry meet in one extraordinary landscape.

Director Trud Berg. Photo: Marius Fiskum
Web: www.arktiskfilharmoni.no
Facebook: arktiskfilharmoni
Instagram: @arktiskfilharmoni

