CLAY Museum of Ceramic Art Denmark: Playing with fire An exhibition of acclaimed Danish artist Axel Salto curated by Edmund de Waal
By Signe Hansen | Photos: © Axel Salto/VISDA
For some people, playing with fire is just a part of the job. The ceramicists and artists Edmund de Waal and Axel Salto share a deep fascination of the transformation that occurs in the kiln. This preoccupation with the concept of metamorphosis is the focal point of the upcoming travelling exhibition Playing with Fire: Edmund de Waal and Axel Salto which will start out at the CLAY Museum of Ceramic Art Denmark.
Here, artist and author Edmund de Waal will curate an exhibition of the work of the acclaimed Danish ceramicist Axel Salto (1889 – 1961), considered one of the masters of 20th century ceramic art. The exhibition is the result of a collaboration between Edmund de Waal, CLAY Museum of Ceramic Art Denmark and art museum Kunstsilo, Norway, and will open in Denmark 8 October 2023.
Born in Copenhagen in 1889, Axel Salto was a radical polymathic figure who crossed boundaries from one discipline to another, producing an extraordinary body of ceramic work alongside paintings, woodcuts, drawings, book illustrations, and textiles. After studying at the Royal Danish Academy of Fine Arts where he became intrigued by modernism and a progressive aesthetic, Salto travelled to Paris, where he met Picasso and Matisse. An accomplished poet and author, he founded the influential Danish art journal Klingen (The Blade), an important forum for critical thinking in Denmark.
Salto is internationally renowned for his highly individual and expressive stoneware inspired by organic forms, characterised by budding, sprouting, and fluted surface textures that appear to ripple and burst with life.
This exhibition will bring together a significant number of Salto’s ceramic works from the collection of CLAY Museum of Ceramic Art, Denmark, and The Tangen Collection at Kunstsilo, the world’s largest collection of Nordic modernist art. Salto’s ceramics will be shown alongside lesser-known and unseen works on paper, illustrations, writings and textiles, while a major new installation by de Waal will reflect on Salto’s enduring influence.
Edmund de Waal says: “Axel Salto is one of the greatest artists of the twentieth century. He created a unique body of ceramic work that continues to fascinate me. His sculptures seem to be on the point of change: glazes are caught in flux; vases swell as if to burst. He cared about the ways that patterns change course, shift energies, how an animal becomes a person, a man metamorphoses into a stag. Ovid ran powerfully through his life. That moment of change, transformation, is the moment when poetry occurs.”
The exhibition will be accompanied by a richly illustrated book, published by Forlaget PRESS exploring the dialogue between the two artists. The book will contain a wide range of excerpts from Salto’s extensive writings, an interview with de Waal, as well as a new essay in which de Waal investigates the concept of metamorphosis and the fusing of clay and words.
The project is made possible by a generous donation from The AKO Foundation, a London-based philanthropic foundation. The exhibition is scheduled to travel from Denmark to Kunstsilo in Norway in 2024 and to a UK venue in 2025.
1889, Copenhagen. d. 1961, Copenhagen
Axel Salto graduated in 1914 from the Royal Danish Academy of Fine Arts as a painter. Multitalented as he was, he also worked as designer, editor and writer. From 1917-20 he founded the avant-garde journal Klingen (The Blade). His career as a ceramicist began in the 1920s when he designed porcelain vases and bowls for the Danish manufacturer B&G (Bing & Grøndahl). From 1929 he was linked to the stoneware studio at The Royal Copenhagen Porcelain Manufactory.
Salto had numerous solo-exhibitions in Denmark, Norway, Sweden, and France. He was awarded the Grand Prix at the World Expo in Paris in 1937 and at the Milan Triennale in 1951. In 1961 he received a gold medal at the international ceramics exhibition at Musée des Beaux-Arts in Ostend, Belgium. In the 1950s, his ceramics and textiles played an important role in promoting Danish design and crafts, known as Danish Modern, in North America.
Edmund de Waal
b.1964 Nottingham. Lives and works in London.
Edmund de Waal is an internationally acclaimed artist and writer, best known for his large-scale installations of porcelain vessels, often created in response to collections and archives or the history of a particular place. His interventions have been made for diverse spaces and museums worldwide, including the Musée Nissim de Camondo, Paris; The British Museum, London; The Frick Collection, New York; Canton Scuola Synagogue, Venice; Schindler House, Los Angeles; Kunsthistorisches Museum, Vienna and V&A Museum, London.
De Waal is also renowned for his bestselling family memoir, The Hare with Amber Eyes (2010), and The White Road (2015). His most recent book, Letters to Camondo, a series of haunting letters written during lockdown was published in April 2021. He was awarded the Windham-Campbell Prize for non-fiction by Yale University in 2015. In 2021 he was awarded a CBE for his services to art.
Subscribe to Our Newsletter
Receive our monthly newsletter by email